FINE ART

501: PETER SMETS, (1962 -), Boxes, oil on canvas, 175 x 190 x 4 cm. (68.9 x 74.8 x 1.5 in.)

502: TIM STORRIER, (1949 -), Equine Impedimenta - Tully's Baggage, bronze casting (maquette), ed. 24/30, 36 x 22 x 49 cm. (14.1 x 8.6 x 19.2 in.), base: x 10 x 31.5 cm. (x 3.9 x 12.4 in.)

503: DALE FRANK, (1959 -), Golden Hills and the Little Boy that wanted to be an Elephant, 2019, varnishes, epoxyglass on perspex, 160 x 120 x 4 cm. (62.9 x 47.2 x 1.5 in.)

504: NEIL FRAZER, (1961 -), Spur, 2017, acrylic on canvas, 112 x 112 cm. (44.0 x 44.0 in.), frame: 116 x 116 x 4 cm. (45.6 x 45.6 x 1.5 in.)

505: ROBERT DICKERSON, (1924 - 2015), Metropolitan Scene, charcoal on paper, 75 x 55 cm. (29.5 x 21.6 in.), frame: 103 x 82 x 4 cm. (40.5 x 32.2 x 1.5 in.)

506: ALUN LEACH-JONES, (1937 - 2017), Instruments for a Solitary Navigator #18 (The Perfume of Flowers) 1998, synthetic polymer paint on canvas, 152 x 213.5 x 3 cm. (59.8 x 84.0 x 1.1 in.)

507: SIDNEY NOLAN, (1917 - 1992), Shakespeare's Sonnett No.142, 1963, ripolin on board, 62.5 x 51 cm. (24.6 x 20.0 in.), frame: 91 x 79 x 4 cm. (35.8 x 31.1 x 1.5 in.)signed

508: CHARLES HENRY THEODORE COSTANTINI, (1803 - 1860), Portrait of a Colonial Mother and Child, watercolour and pencil, 25 x 21cm frame size 38 x 33cm

509: CHARLES HENRY THEODORE COSTANTINI, (1803 - 1860), Grandfather's Pet; Portrait of Mr & Mrs Henry Speaks of Constitution Hill, near Hobart (pair), watercolour, 20 x 18 cm (frame: 31 x 27 cm)

511: NORMAN LINDSAY, (1879 - 1969), Untitled (Babylonian Scene), watercolour, 43.5 x 39 cm. (17.1 x 15.3 in.), frame: 74 x 66 x 3 cm. (29.1 x 25.9 x 1.1 in.)

512: ROBERT DICKERSON, (1924 - 2015), Couple in the Valley, 2002, oil on canvas, 53.5 x 64 cm. (21.0 x 25.2 in.), frame: 74 x 84 x 4 cm. (29.1 x 33.0 x 1.5 in.)

513: ELWYN LYNN, (1917 - 1997), Mountain & Fire Fields, 1982, mixed media on canvas, 109 x 139 cm. (42.9 x 54.7 in.), frame: 123 x 153 x 6 cm. (48.4 x 60.2 x 2.3 in.)

514: MAX DUPAIN, (1911 - 1992), Waiting for the Queen, silver gelatin (mounted on cardboard), 55.5 x 49 cm. (21.8 x 19.2 in.)

515: MAX DUPAIN, (1911 - 1992), 'Hero' towing 'Pamir' to Sydney Heads c1940s, silver gelatin (unframed), 45.7 x 40.4 cm. (17.9 x 15.9 in.), sheet: 48.6 x 40.6 cm. (19.1 x 15.9 in.)

516: MAX DUPAIN, (1911 - 1992), Sunrise - Blue Gum Forest, 1950, silver gelatin (unframed), 40.4 x 47.5 cm. (15.9 x 18.7 in.)

517: TIM STORRIER, (1949 -), High Summer, archival pigment print, edition 16/39, 80 x 97 cm. (31 1/2 x 38.1 in.), frame: 107 x 119 x 4 cm. (42.1 x 46.8 x 1.5 in.)

518: NINGURA GIBSON NAPARRULA, (c1938 - 2013), My Country, acrylic on linen (ready to hang), 184 x 244 x 4 cm. (72.4 x 96.0 x 1.5 in.)

519: JOSEPH WEST TJUPURRULA, (c1976 -), Tingari, acrylic on Belgian linen (ready to hang), 184 x 123 x 3 cm. (72.4 x 48.4 x 1.1 in.)

520: YANKARR PANJI HONEYCHILD, (1914 - 2004), Untitled, acrylic on canvas (ready to hang), 120 x 60 cm. (47.2 x 23.6 in.), frame: 127 x 67 x 4 cm. (50 x 26.3 x 1.5 in.)

521: MARGARET WOODWARD, (1938 -), Sweetmeats & Coffee, 1991, mixed media on board, 57 x 121 cm. (22.4 x 47.6 in.), frame: 78 x 142 x 5 cm. (30.7 x 55.9 x 1.9 in.)