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MITCHELL JAPANANGKA JAPANANGKA MARTIN

Mina Mina Jukurrpa

acrylic on canvas (ready to hang)
with Certificate of Authenticity, Warlukurlangu Artists Aboriginal Corporation Cat. No. 240/24
61 x 46 x 2 cm. (24.0 x 18.1 x 0.7 in.)

  • Provenance: Artwork:
    Mina Mina is a deeply significant ceremonial site for Napangardi and Napanangka women, located around 600km west of Yuendumu, near Lake Mackay and the WA border. It features a salt lake or claypan known as ‘marluri', dry soakages, sandhills, and stands of ‘kurrkara' (desert oaks). This site holds a rich Dreaming narrative—Mina Mina Jukurrpa—which plays a crucial role in Warlpiri ritual knowledge and social organization, especially in understanding gendered responsibilities. The land is ‘owned' by Napangardi/Napanangka women and Japangardi/Japanangka men, who represent different elements of the Dreaming in their artworks, such as ‘karnta' (women), ‘karlangu' (digging sticks), and ‘ngalyipi' (snakevine). The story follows ancestral women who danced at Mina Mina, raising digging sticks from the ground, anointing themselves with ‘minyira' (shiny fat) for ritual power, and traveling eastward while being followed by a spotted nightjar from the Jakamarra subsection.
    As these ancestral women danced, they stirred up dust clouds that carried the ‘walyankarna' (snake ancestors) north, intersecting with the witchetty grub Dreaming, symbolizing shared cultural knowledge still practiced today. Their journey shaped the land as they dug for bush foods and passed through sacred sites, including the battleground of the yam ancestors and the place where their digging sticks transformed into mulga trees. Eventually, the women split—some traveling east through Anmatyerre country, others going north to dig for bush foods—before all returning to Mina Mina, homesick for their country. The Mina Mina Jukurrpa reflects an earlier time of reversed ritual roles between men and women, suggesting a sacred origin of current gender dynamics. Warlpiri artists depict this story through traditional iconography: sinuous lines for snakevine, circles for desert truffles, and straight lines for digging sticks, preserving its power and meaning in contemporary practice.

    Artist:
    Mitchell grew up in Nyirripi and then lived in Kintore from 2005 - 2017, where he often saw people painting.
    Mitchell has completed his first painting with Warlukurlangu Artists in Nyirripi, looking at the work of his Great Great Grandfather Paddy Japanangka Lewis who painted the same Mina Mina Jukkurpa. Mitchell remembers seeing Paddy paint when he lived with him in Yuendumu as a child.
    Mitchell loves Footy and plays fullback in Nyirripi, he also likes to fix old cars, any sort. Mitchell is waiting to visit his country a long way away.
  • Condition: Please note that whilst we endeavour to mention any imperfection, the absence of this information in the catalogue does not automatically imply that the lot is free from defect.

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20 July 2025 20:00 AEST
Barangaroo, Australia

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