EDITIONS

5001: JOHN OLSEN, Australia (1928 - 2023), Sydney Sun, 2007, archival pigment print, ed. 92/250, 93 x 126 cm. (36.6 x 49.6 in.), frame: 125 x 157 x 3 cm. (49.2 x 61.8 x 1.1 in.)

5002: WARWICK THORNTON, Australia (1970 -), Sterling, 2015 (The Future is Unforgiving), pigment print on cotton rag art paper, 152 x 153 cm. (59.84 x 60.24 in.), frame: 156 x 156 x 7 cm. (61.42 x 61.42 x 2.75 in.)

5003: DEL KATHRYN BARTON, Australia (1972 -), Those Eyes, 2023, archival pigment print, ed. 11/75, 107 x 81 cm; frame: 112x 86 cm

5004: SALVADOR DALI, Spain (1904 -1989), Memories of Surrealism 1971, suite of (12) colour lithographs with etching, ed. F 87/175 (unframed), 53.0 x 41.5 cm (each, image); 75.5 x 53.5 cm (each, sheet)

5005: ETHLEEN PALMER, Australia (1906 - 1965), The House with the Orange Door, 1949, serigraph, ed. 20 proof, 25 x 36 cm. (9.83 x 14.16 in.), frame: 47 x 57 x 2 cm. (18 1/2 x 22.44 x 0.79 in.)

5006: MAX DUPAIN, Australia (1911 - 1992), Magnolia, 1982, silver gelatin, ed. 18/90, 36 x 46 cm. (14.16 x 18.10 in.), frame: 61 x 70 x 3 cm. (24.01 x 27.55 x 1.17 in.)

5007: OLIVE COTTON, Australia (1911 - 2003), Cherokee Rose, 1970, silver gelatin, 19 x 16.5 cm. (7.48 x 6 1/2 in.), frame: 39 x 35 x 2 cm. (15.34 x 13.77 x 0.79 in.)

5008: TIM STORRIER, Australia (1949 -), Blaze Line Quartet Suite 1-4, screenprint, ed. 1/87 (unframed), 56.5 x 77 cm. (22.23 x 30.30 in.), sheet: 59.5 x 80 cm. (23.42 x 31 1/2 in.)

5009: DAVID HOCKNEY, Britain (1937 -), Corbusier Chair and Rug for the Andre Emmerich Gallery, offset lithograph, 51 x 52 cm. (20.0 x 20.4 in.), frame: 90 x 77 x 2 cm. (35.4 x 30.3 x 0.7 in.)

5010: BRETT WHITELEY, Australia (1939 - 1992), Lovers, screenprint, ed. 1/70, 50 x 63 cm. (19.6 x 24.8 in.), frame: 72 x 82 x 3 cm. (28.3 x 32.2 x 1.1 in.)

5011: BERT STERN, USA (1929 -2013), Marilyn (The Last Sitting), Type C photograph, ed. 17/62, 32.0 x 29.0 cm (image); frame: 55.0 x 47.5 cm

5012: SYDNEY BALL, Australia (1933 - 2017), Westfold Wall, 1976, screenprint, ed. 20/25, 80 x 120 cm. (31 1/2 x 47.24 in.), frame: 85 x 126 x 3 cm. (33.46 x 49.60 x 1.17 in.)

5013: CHARLES BLACKMAN, Australia (1928 - 2018), The Orpheus Suite, 1998/1999, suite of (12) collagraphs, ed.1/70

5014: JEFFREY SMART, Australia (1921 - 2013), Morning at Savona, 1976, fine art reproduction, ed. 11/499 (unframed; cellophane wrapped with corflute backing), 98.2 x 83.5 cm. (38.6 x 32.8 in.)

5015: JOHN OLSEN, Australia (1928 - 2023), Honeyeaters & Grevilleas, 1999, etching and aquatint, ed. 23/50 (unframed), 45.5 x 60.5 cm. (17.91 x 23.82 in.), sheet: 57.5 x 76 cm. (22.64 x 29.92 in.)

5016: TIM STORRIER, Australia (1949 -), Time Site: A Portfolio of Prints and Multiples, 1981 (7 works), prints and multiples, ed. 10/60, each, various dimensions

5017: CHARLES BLACKMAN, Australia (1928 -), All on a Summers Day, screenprint, ed. 86/90, 68 x 61 cm; frame:110 x 96 x 3 cm

5018: ARTHUR BOYD, Australia (1920 - 1999), Shoalhaven Quartet Suite I - IV, 1998, screenprint, ed. 7/27 (unframed), 79.5 x 60.2 cm. (31.30 x 23.69 in.), sheet: 90 x 65.5 cm. (35.42 x 25.78 in.)

5019: GARRY SHEAD, Australia (1942 -), Thirroul, collagraph, ed. 74/80 (unframed), 65 x 90 cm. (25.5 x 35.4 in.), sheet: 76 x 106 cm. (29.9 x 41.7 in.)

5020: WARLUKURLANGU ARTISTS OF YUENDUMU, Australia (Aboriginal) , Fire and Water Suite, 2003, suite of (9) two-colour etching with plate tone on cream wove 350gsm Hahnemühle paper, ed. 43/50, 19 x 16 cm. (each), frame: 43 x 39